Today I thought I'd share some of my writing techniques. Please realize these are still in the experimental stages and I'm in no way suggesting you should follow what I do.
What prompted me to start keeping a notebook on the Zaphkiel Project, my current WIP, was the amount of research I accumulated on the Transit of Venus, planetary harmonics, and pentacles. Rather than shove printed copies into a file or binder, I decided to tape them into a journal I'd picked up at my local Barnes and Noble. Not only were my references organized, I had room to jot any notes.
During this time, I also worked on the plot and characters using yWriter, a free writing software. Again, rather than let loose sheets of paper get misplaced in files or shoved into bulky binders, I decided to cut and tape the pages I printed into the black journal. These included chapters and scene breakdowns and character profiles.
Part of my reason for compiling notes is I have a terrible time with character motivation. (I can see my editor nodding. "Yes. Yes.") By doing extensive character profiles, including GMCs (goal, motivation, and conflict charts), I hope to spot any potential plot problems in the preplanning stages.
The character sheets are courtesy of Anne Olwin. I've filled out several such worksheets but I think these are my favorite by far. I also use Josh Lanyon's techniques in creating unique characters via The Man in the Grey Flannel Suit, a blog post on Romance University.
Seems a lot of prep work, doesn't it? Next month I'm participating in BIAM_Writathon and hope to compile another notebook for my vampire Victorian paranormal. That's my proposed NaNo project. Of course, it'll probably take more than one journal.
Will I keep this technique? Good question. Right now I like it, even if I do use a lot of tape. I suppose there's rubber cement. :-)
Here's the way I see it. Whatever helps me write a damn good story works for me.
Showing posts with label Anne Olwin. Show all posts
Showing posts with label Anne Olwin. Show all posts
Tuesday, September 27, 2011
My Black Journal
Tags:
Anne Olwin,
character charts,
craft,
first draft,
Josh Lanyon,
manuscript help,
Pamela Turner,
plot,
process,
revision,
WIP,
writing,
yWriter
Tuesday, September 6, 2011
"Less Like Me"
A Dilbert comic has the titular character asking Dogbert for dating advice. Dogbert replies, "Try to be less like you."
As writers, we tend to project ourselves onto our characters. And why not? It's an indirect way to share our interests, likes, dislikes, etc., without (hopefully) being intrusive. Also, creating characters familiar with the same things we are allows us to remain in a comfort zone of sorts. No surprises.
But is Dogbert's advice something we should consider? I say "yes."
By forcing our characters to adapt to our standards, we're working within a limited range. Now if we apply the same traits to all our characters, well, you can see where the problem lies. The characters will most likely end up carbon copies of one another. If not for the characters' goals, we might not be able to tell them apart.
Am I guilty of doing this? Hell, yeah. It's a habit I'm trying to break. In my current WIP, I'm reworking my character charts, trying to make each character different and "less like me." My hero Zaphkiel tends to be analytical whereas his lover Caliel is more artistic minded. Actually, this dichotomy doesn't seem that strange to me because I can move back and forth between both thought processes with ease. Now Raziel is more mechanically minded and I can't hammer a nail without the threat of bodily injury.
Another way to create a character unlike you is to have him or her embody ideas or beliefs you may not agree with. This requires opening your mind and being receptive to new ideas. For example, you might cater to a Liberal point of view but have a character who chooses to see things from a Conservative viewpoint. Or a character who is Christian whereas another is atheist.
But whether you choose to people your books with characters who are just like you, somewhat like you, or not at all like you, keep in mind actions, beliefs, etc. have to fit that character's personality. You can't pick and choose traits arbitrarily. For one, character motivation won't make any sense.
What tips and tricks do you use to make your characters different? I'm working with Anne Olwin's character charts and sometimes I have to dig deep into my mind to answer some of the questions listed. :-)
As writers, we tend to project ourselves onto our characters. And why not? It's an indirect way to share our interests, likes, dislikes, etc., without (hopefully) being intrusive. Also, creating characters familiar with the same things we are allows us to remain in a comfort zone of sorts. No surprises.
But is Dogbert's advice something we should consider? I say "yes."
By forcing our characters to adapt to our standards, we're working within a limited range. Now if we apply the same traits to all our characters, well, you can see where the problem lies. The characters will most likely end up carbon copies of one another. If not for the characters' goals, we might not be able to tell them apart.
Am I guilty of doing this? Hell, yeah. It's a habit I'm trying to break. In my current WIP, I'm reworking my character charts, trying to make each character different and "less like me." My hero Zaphkiel tends to be analytical whereas his lover Caliel is more artistic minded. Actually, this dichotomy doesn't seem that strange to me because I can move back and forth between both thought processes with ease. Now Raziel is more mechanically minded and I can't hammer a nail without the threat of bodily injury.
Another way to create a character unlike you is to have him or her embody ideas or beliefs you may not agree with. This requires opening your mind and being receptive to new ideas. For example, you might cater to a Liberal point of view but have a character who chooses to see things from a Conservative viewpoint. Or a character who is Christian whereas another is atheist.
But whether you choose to people your books with characters who are just like you, somewhat like you, or not at all like you, keep in mind actions, beliefs, etc. have to fit that character's personality. You can't pick and choose traits arbitrarily. For one, character motivation won't make any sense.
What tips and tricks do you use to make your characters different? I'm working with Anne Olwin's character charts and sometimes I have to dig deep into my mind to answer some of the questions listed. :-)
Tags:
Anne Olwin,
character charts,
craft,
Pamela Turner,
WIP,
writing
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