Wednesday, November 27, 2013

A Few Words on Self-Publishing

The rise of the e-book has led to an increase in self-publishing.  Never has it been easier to self-publish your book.  In fact all you actually need to do is format your manuscript correctly, add a cover image, upload it to Kindle and there it is, available to download to whoever wants it.

This is a pretty controversial subject.  A lot of people in the publishing industry are of the opinion that every self-published book is badly written and badly edited, and anyone with any modicum of talent will eventually be picked up by a "proper" publisher.

The self published authors tell a different story.  Most of them have been discouraged by years of rejections, convinced that their book is not necessarily bad, but not marketable enough to be picked up.  Sometimes there is truth to this belief.  Of course there are a lot of delusional people out there as well, but that's digressing a bit.

When I first started submitting novels to publishers, over 25 years ago, the process was very different.  To get a publisher you had to get an agent.  That meant sending in the first three chapters, by mail, including a stamped self-addressed return envelope.  To get the latter meant standing in line at the post office with your open envelope, having it weighed to find out how much postage would cost, buying that amount twice, then having to remove the SAE to put stamps on it, seal your envelope, and then put stamps on the outer envelope.  And then a couple of weeks later you'd get home from work to discover a brown envelope with your handwriting on the doorstep, and your heart would sink because you knew that it was another rejection.

And after all that, the pages would come back having been all creased and curled in the mail, and not in a fit state to send out to anyone else and so as well as having to buy so many stamps you were spending a fortune on paper and ink (I had an Amstrad PCW in those days - it used a dot matrix printer).

Vanity presses we knew to avoid at all costs, and self publishing wasn't a terribly attractive option, because you had to lay out costs for printing and typesetting, and find somewhere to store the finished product, and anything self-published was perceived to be of insufficent quality to find a publisher.

The publishing industry has changed since then.  There are a lot more small independent presses around willing to take a chance on new writers, and you don't need an agent to submit to them, but it seems to be getting harder for new writers to break into the big established publishers - unless they are showing signs of being the next JK Rowlings or Dan Brown.  And online e-publishers like Amazon and Smashwords are making it far easier to self-publish e-books.

I have to admit my tune has changed on the self-publishing front.  If you get bored of being told what you're writing isn't going to sell, then self publishing becomes an attractive option.  But it is true that there are a lot of self-published books out there that are badly written and badly edited, and really aren't helping to dispel this notion that all self-published books are rubbish.

In my opinion, there are three crucial things that a writer should do before they even consider self-publishing.  In order of importance, they are:

1.  When the manuscript is finished, send it to some beta readers to read and comment.  Heed their comments and re-write the manuscript.  Criticism can be hard to take, but most writers are too close to their work to be able to judge it obectively.  A writing group is really helpful for this.  If you can't find one locally, go to an online writers' forum like Absolute Write.  You'll pick up valuable advice on the writing process anyway, and you will undoubtedly find a few helpful souls who are willing to give you an email crit.

2.  Pay a professional editor to edit your manuscript.  This can be expensive, but you need to invest in it, and it will set you apart from the rank amateurs.  No matter how good you think you are at spelling and grammar, there'll always be something you overlook.  Just about every self-published book I have ever read contains at least one instance of "it's" when should be "its" - for the record, the former is a contraction of "it is"; the latter means "belonging to it".  If I come across this in any published book, I'll be grinding my teeth and probably won't finish reading it.

3.  Ensure your book has a professional looking cover.  And this does not mean you playing around with clip art and a graphics programme for half an hour.  Pay an artist, or someone with professional experience in creating cover images.  If you don't know anyone, ask around your social network for a recommendation.

There's nothing wrong with self-publishing your own book as long as you've done these three things.  Yes it means forking out cash, but you are investing in your reputation as a writer, and if readers buy your book and enjoy it, they are likely to recommend it to others - and nothing beats word of mouth when it comes to book sales.

If every self-published author did these things, we would go a long way towards changing the perception of self-published books as all being rubbish.  There are some brilliant self-published e-books to be found in the Kindle Store.  But sometimes you have to sift through a lot of mud to find the golden nuggets.

Let's work towards a world where there's more gold than mud out there to find.

Tuesday, November 19, 2013

A Crazy World

I've been remiss about posting. Suffice it to say, I'm in the middle of content edits and that madness known as NaNoWriMo (National Novel Writing Month). Oh, and reading entries for a contest.

Not to mention, Tuesday nights are my time to watch "Air Disasters" on Smithsonian Channel, except tonight they had a special on the Gettysburg Address. So I read my required page count for the contest and typed 2000 words for my NaNo project, an urban fantasy, The Judas Dilemma. For some reason, 2000 words seems to be the perfect number for me.

NaNoWriMo always starts the same way. Come October 1, and I'm like, "I got this!" A whole month to plot my story and develop my characters. October 15 rolls around, and I'm still confident. I mean, what's two weeks, right? October 31, 11:59 PM. I am so screwed! All I have is a name.

I hadn't even planned to write another angel urban fantasy. I wanted to write a story about an NTSB investigator. But the mind has a funny way of doing what it wants, and before long, I found myself writing about Judas and Emily, and the silver coin that binds them. Heck, I even managed to weave in a subplot/

Today, I posted 36,000 words. Only 14,000 to go. I'm surprised how well it's going, considering I only plotted the first four chapters in detail. I'm ashamed to admit my outlines were longer than my chapters. But somehow, it's coming together. Not perfect. First drafts never are. But yeah, there's something there.

If I manage to mold this story into something submittable, I have a couple of publishers in mind. Why yes, hope springs eternal. :-)




Thursday, November 14, 2013

On A Roll

With two finished novels out on sub, it was time to begin in earnest a new project.
I've mentioned in passing a collaboration with Hubby. Who, it has to be said, is not a writer. However, after 30 years of running Dungeons & Dragons games, he's become very good at plotting - especially with our group, who frequently decide to go off and do something that's not actually in the module, which means he often has to do some spontaneous plotting to keep the game going.
The WIP is a crime thriller set in the late 1960s, and is about a young woman with aspirations to be a rock musician. The novel takes her from California and the Monterey pop festival in 1967 to the emerging and influential music scene in London. On the way she gets mixed up with gangland London, in a search for a friend who's gone missing.
This project is in its early stages.  Hubby and I have been working together on the plot outline, and I've been doing the writing thus far. Though I am relying on his expertise on references to bands and songs of the late 60s, and what make of guitar bands of the time would be playing, as he knows a lot more about this than I do.
Thus far I've been struggling with the first draft. The first 20,000 words took months to write, and I was struggling to find the voice of the main character.
But suddenly, I've found the story and the character, and the novel has become much easier to write.  In the last two weeks I have written as many words as I did in September and October combined.
The project is in its early stages, and I am reluctant to say too much about it as anything can happen between now and the end of the book. But thus far it's going well. I am on a roll.
Here's hoping it continues.

Wednesday, October 30, 2013

BristolCon 2013 - Roundup

I usually follow up a Con with a write-up, and so here is my take on BristolCon, which took place on Saturday 26 October.

Hubby and I travelled down from London by train on Friday afternoon, as soon as I was able to get away from the day job.  It was actually quite a pleasant journey, taking just about two hours on a train we could pre-book seats on.  The hotel, we were pleased to find, was a five-minute walk from Bristol Temple Meads Station, and was modern and comfortable.  It was also conveniently located for the Town Centre and close to bars and restaurants, for those who want to take a break from the Con.

The Con officially began at 10 am on Saturday morning, running two concurrent threads.  I was on one of the opening panels - the panel on Innovative Deaths, moderated by Anne Lyle.  We discussed ways of killing people for over 45 minutes.  Fortunately we didn't seem to scare the audience too much - or at least that was how I interpreted it, as nobody ran out screaming.

After that I caught some of the 'My World is Not Your Sandpit' panel, about fan fiction, in which a rather energetic debate took place.  I have to say I missed the beginning of this panel, but what I saw clearly defined the two sides of the argument.  One side was that if the fan fiction writer is not making any profit from their writing, and the original creator of the world is done writing books about that world, should they not be flattered by enthusiastic fans wanting to play in their sandpit?  The opposing viewpoint was that anyone other than the creator is not going to get the world right because so much of a created world never makes it into the book, and a writer is never really done with their world.  It was an interesting discussion and I must confess I can see the point of the writers who say they don't want anybody else playing in their sandpit, because it's theirs.  Though the chance to be adored enough for someone to want to play in my sandpit would be a fine thing.  It was also pointed out in this panel that fan fiction is an evolutionary stage of the young writer, and this spoke to me as well.  Fortunately my Star Wars fan fiction was written in the days before the Internet and will never be aired in public.

After that I stuck around for the panel on the Evolution of Genre, where among other things the influence of 'real-world' problem on genre was discussed.  Apparently zombies do well during periods of high unemployment and financial restraints.  Vampires apparently do well during periods of affluence.  What this says about us I don't know.

After taking a break from watching panels I joined the other authors for the 'mass signing', for which we'd all been encouraged to bring books to sell at the committee table.  A member of the writing group who'd bought a copy of SOUL SCREAMS a while ago came to get it signed, but unfortunately I sold none of the copies I'd brought with me.  Which was a bit crushing, frankly.  Obviously I need to step up my promotional efforts.

My final programme item was to moderate the small press panel at 4 pm.   I had done some homework on this, and I already knew I had a fantastic panel.  Cheryl Morgan, who runs Wizards Tower press.  Chrissey Harrison, independent film maker and small press publisher.  Jonathan Wright, journalist and editor.  David R Rodger, self published science fiction writer.  I think we gave the topic a good airing, all my panel members engaged in the conversation and we had a reasonable number of people in the audience.  And to be honest, I quite enjoyed moderating.  I think I'd like to do it again some time.

With my commitments over with I sat back to enjoy a couple more panels, venturing into the larger programme room for the 'Beyond Arthur' panel, moderated by Gaie Sebold, and then the panel saying farewell to Iain Banks, moderated by Cheryl Morgan.

And then it was back to the bar, to see out the day with more chat, more food and more wine, and to relax before our train home Sunday morning.

BristolCon is a small local Con, running for a day to be deliberately attractive to people in South West England who can attend without having to book hotel accommodation.  Although small I found it a very well run and friendly Con, especially welcoming to small press and self published writers.

Next year's Con has been set for 18 October 2014 in the same great location.  I am intending to come back next year.  

If you can get to Bristol I thoroughly recommend this Con.  It's a fantastic experience.

Wednesday, October 23, 2013

Con Conundrums

It has come about that my last two Cons of 2013 fall on consecutive weekends. This weekend I'm at BristolCon, and next weekend is World Fantasy Con in Brighton. At BristolCon I am a participant - two panels and a book signing - and at World Fantasy Con I am merely a delegate.

The usual Con conundrums apply.  The first is - what to pack? For Bristol this is more crucial, since I will be performing the role of 'author', instead of just watching other people do it. So what outfit says 'serious writer' without saying 'I'm mad as a box of frogs and you don't want to come anywhere near me.' Sometimes the Con involves a formal dinner that obviously involves having to pack an outfit for it. Sometimes I worry I try too hard with this issue of Con clothing.  Jeans and a t-shirt is probably an acceptable Con outfit for a writer. It might be appropriate for my 'horror writer' t-shirt to get another airing this weekend.

Mode of transportation is also relevant to the first question. If I'm driving to a Con, I can take more stuff. But this generally only happens if I can take the day I am travelling off work. On neither forthcoming Con I have been able to do that - which means it's easier to take the train from London than travel home, pick up the car, load it up and set off again. But taking the train directly after work means I have to take all my luggage into London, which is another factor to consider. Whatever I take has to be transported on a packed commuter train, and sit in the office until I leave.

On Friday I have to be at work for a meeting, so I will be leaving as soon as possible after that's finished. It does mean that the smart 'work clothes' that will be required for that will have to be my travelling clothes to Bristol. Unless I take a change of clothing.

When travelling to a Con, the issue of having space for books also must be considered. It is impossible to leave a Con without having acquired books. Many of them give out freebies in the delegate bags, and there's a pretty good chance you'll buy some, too. For BristolCon, I am also taking some copies of SOUL SCREAMS for the author signing session. But I am really hoping that I will sell at least a couple of them, otherwise I have to cart them all back home with me.

I am looking forward to both Cons, and they will both be very different experiences. Hopefully they will both give me something to blog about for the next two weeks, too.

And once I've had a chance to catch my breath, it will be time to plan 2014's Con schedule...

Tuesday, October 22, 2013

An "EPIC" Announcement

First, let me assure you when I wrote "Family Tradition," I never thought it'd get published. Who'd want to read a twisted little story about an artist painting a model with no face?

When a fellow author asked for feedback on a manuscript she planned to enter in a contest, I offered to exchange critiques, and sent her "Family Tradition." I thought she'd say, "This is crap." That would confirm my suspicions, and the story would die a quick, painless death.

She liked it.

It took some head scratching, but finally I realized maybe I had something. I submitted the story to MuseItUp Publishing, and had editors tell me they loved the story. And four Amazon reviewers raved about it. Apparently, they knew something I didn't.

I decided to put "Family Tradition" to the ultimate test, and entered it in EPIC's EBook Awards competition. Since this was a blind judging, I'd no idea who was reading my entry or if I'd advance to the next round.

Fingers crossed, I waited to hear who the finalists were. The announcement was supposed to come in early October, and I'm not too proud to say I was nervous. I prepared myself for the worst. Was it worth getting my hopes up, only to see them dashed?

A few days ago, I received my answer. "Family Tradition" was a finalist in its category. I got a badge and certificate.



The irony is now I have to wait to see if the short story wins. But I won't know anything until March. Nevertheless, it's a pretty good feeling being able to say I'm a finalist.

Now to get my short script ready for another contest.

For more information on "Family Tradition," click here.
Finalists can be found on the EPIC site